CHIARA CAMONI (IT)

Chiara Camoni (1974, Piacenza) lives and works in Fabbiano in the Apuan Alps of Alta Versilia, Tuscany.

Her practice consists of drawing, vegetal prints, video, and sculpting, particularly with ceramics. Her works often derive from collaboration with friends and family, impromptu associations, organized seminars and workshops. The “Centro di Sperimentazione” has appeared at the artist’s side for a few years now as a container for the various forms of shared authorship. Together with other artists, she founded the MAGra, Contemporary Art Museum of Granara and the Vladivostok group. With Cecilia Canziani she has been developing for some years the cycle of seminars “La Giusta Misura”.

Recent shows include: Hic sunt Dracones. Chiara Camoni – Atelier dell’Errore, curated by Elena Volpato, GAM, Turin, IT (2022); Becoming Flower, curated by Hélène Guenin and Rébecca François, MAMAC, Nice, FR (2022); Persones Persons, Biennale Gherdëina, curated by Lucia Pietroiusti and Filipa Ramos, Val Gardena, IT (2022); LA DISTRUZIONE BELLA, SpazioA, Pistoia, IT (2022); La Meraviglia, curated by Alice Motard, CEAAC, Strasbourg, FR (2021); Deux Soeurs, curated by Alice Motard, CAPC, musée d’art contemporain de Bordeaux, Bordeaux, FR (2021); Our Silver City, 2094, Nottingham Contemporary, Nottingham, UK (2021) IO DICO IO, curated by Cecilia Canziani, Lara Conte and Paola Ugolini, Galleria Nazionale di Arte Moderna, Roma, IT (2021); 17a Quadriennale di Roma, curated by Sarah Cosulich and Stefano Collicelli Cagol, Palazzo delle Esposizioni, Roma, IT (2020); Artifices instables, Storie di ceramiche, curated by Cristiano Raimondi, Nouveau Musée National de Monaco – Villa Sauber, Monaco (202); About this and that. The self and the other. Like everything, Mostyn, Llandudno, Wales, UK (2019); I remember earth, Magasin des Horizon, Grenoble,FR (2019); Mondi Perfetti, SpazioA, Pistoia, IT (2019); Sisters, MIMA – Middlesbrough Institute of Modern Art, Middlesbrough, UK (2018); La Vita Materiale. Otto stanze, otto storie, curated by Marina Dacci, Palazzo da Mosto, Reggio Emilia, IT (2018); Il disegno del disegno, curated by Saretto Cincinelli, Museo Novecento, Firenze, IT (2018).